DRA 3326 – Playwriting nan – Exclusive Course Details

nan Course Introduction

3:00pm – 5:00pm College of Arts and Sciences Introduction to Theater, Dance and Performance Studies (120) (nan)
3:00pm – 5:00pm College of Arts and Sciences Introduction to Theater, Dance and Performance Studies (120) (nan)
— — — — — — — — — — — —
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nan Course Description


This is a preliminary discussion and workshop of the final project for this course. The workshop will begin with a shared reading of an excerpt from one or more of the plays in the class, followed by individual readings from the text and/or other texts.


Each student will write three different monologues (one for each performance), two separate scenes and one narrative scene, which are to be performed on their own.


All lectures and workshops will take

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nan Course Outline


Course Description: What makes a play? Why do playwrights write plays? How does a writer begin to develop a play idea? What are the elements of good theater? These are just some of the questions you will answer as you explore dramaturgy in this course. You will learn the basics of dramatic structure and develop your own ideas for playwriting. We will examine dramatic devices, such as action, characterization, scene and dialogue. This is an open format class where you

nan Course Objectives


Create original works of dramatic literature for performance or reading aloud

Demonstrate an ability to use the literary elements, techniques, and styles in dramatic literature and develop skills in dramaturgy, characterization, dialogue, text analysis, composition and performance

Demonstrate the capacity to communicate effectively both orally and in writing at a level necessary for expressing ideas with clarity and persuasiveness

Course Details:

Section: 04

Credit Hours: 3

Prerequisites: DRA 3121,

nan Course Pre-requisites

One of the key elements in playwriting is its theme, which is a story that unfolds in a manner similar to how we experience life. This course will examine contemporary issues through the form of the play and create original works of art.

Requirements & Distribution:
(4) 3-hour lecture courses: 3 hours/week

Prerequisite: One of the following:

DRA 3326 – Playwriting

or DRA 3000 – Introduction to Dramatic Writing

Note: Please

nan Course Duration & Credits

(credit) A total of 3 credit hours for this course will be awarded for the online course. The student will select one of the following courses to fulfill the 3 credit hour requirement: DRA 3326 Playwriting or any other course offered by the Division of Continuing and Professional Education.

DRA 3326 students may complete their work in a semester during which they are also taking one or more courses in the Undergraduate Film Minor Program.

The Division of Continuing and Professional Education may limit

nan Course Learning Outcomes

The student will: 1. Understand the role of playwriting and playmaking in theater 2. Identify and analyze various genres of playwriting 3. Create a range of dramatic monologues to share with their peers 4. Act out scenes from plays (not necessarily the same ones in which they studied) using voice, movement, music, and visual aids 5. Produce a one-act play using a set, props, costume design, etc., for an audience 6.

nan Course Assessment & Grading Criteria

Submitted by: Colette Bickham

DRA 3326 – Playwriting (nan)

Colette Bickham

DRA 3326 – Playwriting

Course Description
This course is a comprehensive study of play writing. It will introduce the student to the development of dramatic structure, themes, characters, dialogue, scene work and how these elements relate to each other. Students will write three original plays and be introduced to the dramaturgical process as they complete a written synopsis

nan Course Fact Sheet

Lecture – 7:00-8:15pm

This class explores the playwriting process, through both reading and writing short pieces. Both are important tools for writers to develop their craft. Readings will be chosen from works by such authors as Harold Pinter, Arthur Miller, Arthur Miller, William Shakespeare and Anton Chekhov.

Course Requirements:

Students must write two plays of approximately 10 pages each (excluding introductions and conclusions). Students will read a minimum of three plays

nan Course Delivery Modes

Nan Course Delivery Modes for DRA 3326 – Playwriting (nan)

Course Number & Title
DRA 3326 – Playwriting
Term & Section ID
Wu, JF
Baryshnikov, S
Dr. Baryshnikov

– View syllabus


This course provides students with a thorough grounding in the theory and practice of playwriting.

Class Meetings/Lect

nan Course Faculty Qualifications

nan Course Syllabus

Course Syllabus 20 March 2008. 1.1. Introduction This syllabus is for the course DRA 3326 – Playwriting which will be taught during fall term, November 15-December 12, in the classroom of the Kanbar Theatre Center, Room H104.


DRA 3326 Playwriting I (3 cr.)

Course Description: This course provides an introduction to playwriting and dramaturgy in professional and amateur theatres. It will

Suggested nan Course Resources/Books

Course Tutorials

nan Course Practicum Journal

– Mary Brenner, Thalia Brechtel, Katie Burton, Ashley Hendershot, Elizabeth Johnson (2008) The Rhetoric of Horror in

Mary Brenner: Flashes of Light (2007) A Practical Guide to Writing and Revising a Play for Theatre Practicum (nana) – Mary Brenner, Thalia Brechtel, Katie Burton, Ashley Hendershot,

Samantha Jones: “The Anatomy of Imagination: On

Suggested nan Course Resources (Websites, Books, Journal Articles, etc.)

from the Inter-Library Loan (ILL) system.

A literature review and a focus on playwriting.

The modern play has progressed from the dark, tragic plays of the 17th century to the lighter, comical plays of today. The poet will examine plays written during this period that show how playwrights have tried to avoid the sentimental and lost their focus on social concerns. The goals of this class are for students to learn how to write a play with a strong focus on social issues using the

nan Course Project Proposal

by sara gaffney This is a proposal for an original play that I would write as a part of a required course at Drexel University. The course covers the theory, methods and techniques of playwriting. The course title is “Playwriting” – hence the title of this proposal.

In addition to classroom work, we will also do workshop sessions on improvisation and conducting research using the Internet.

The class involves two main components: 1) writing and performing a full-length

nan Course Practicum


Other courses offered by the Department of Theatre and Dance

Related nan Courses

This course is designed to allow students to explore the complex relationship between playwriting and other artistic disciplines, such as film, music, and theater.

DRA 3347 – Folklore of American Indians

This course examines the folklore, history, and archaeology of the American Indian tribes and their interaction with European settlers. In addition to an historical and anthropological approach, a significant amount of time is devoted to individual cultural groups.

DRA 3354 – Film as Art (fall)


Midterm Exam

Top 100 AI-Generated Questions

Question 1: What is
the difference between a single speaker and multiple speakers?

Question 2: Which of the following are
first-person points of view (POV)? Also, what are two
other points of view that aren’t first-person POV?

Question 3: What was the name of your first play?
What is your favorite play?

Question 4: Describe your favorite play.
What would you have done differently in this play?

Question 5

What Should Students Expect to Be Tested from nan Midterm Exam

Fall 2011 – Professor Lang

Each student will be tested on a summary of all plays listed in the syllabus. Midterm is cumulative, and students should expect to be tested on some of the material covered in previous classes. There will be two versions of the test: one that has questions covering all of the plays in the syllabus, and one that will have questions covering just those plays related to this course.

You must present your own copy of each play when you take the exam.

How to Prepare for nan Midterm Exam

at St. Thomas University

On this page you will find general information about nan Midterm Exam for DRA 3326 – Playwriting (nan) at St. Thomas University.

You can get information about how to prepare and what are the most important topics of nan Midterm Exam for DRA 3326 – Playwriting (nan) at St. Thomas University in the table below:

Teaching staff Alexander Gorbachev, Ph.D., Associate Professor, Coordinator of DRA 332

Midterm Exam Questions Generated from Top 100 Pages on Bing

. 55% of the questions are based on material covered in class (see your professor for more details).

Use of this resource is governed by the terms and conditions described at http://oaks.eiu.edu/users/opinion/disclaimer.aspx.

Copyright ©2013 Online Courses, Inc.

If you do not have a user ID or password, please use the “Request an Account” form to request one. You will receive a password by email. Do not share this password

Midterm Exam Questions Generated from Top 100 Pages on Google

Top 100 Google pages for all the questions in this quiz: 1868
Top 100 Google pages for answers to this quiz: 121
Number of unique keywords (including search terms) used on Google for this quiz: 274

A. B. C.
– the play’s setting, characters, and plot – actions that are in the play – dialog that is in the play – a brief explanation of a specific character

Final Exam

Topic(s): Workshop # 3 (1 hour) Prerequisite(s): Approval of instructor.
Instructor: Judy DeLong, Professor of Theatre Arts, 2409
Required for a major in Drama and Theatre Arts. Introduction to the form of Playwriting. Discussion of the various elements of Playwriting; Preplanning exercises; Writing exercises; Preparation for the final examination in playwriting.
Prerequisite(s): Approval of instructor.

DRA 3520 – Stage Management (nan)

Top 100 AI-Generated Questions

You are required to write a 3-page play with approximately 10 minutes of script. You will present it in 2 rounds to the class: first round for feedback, second round for votes.

The top three (3) vote getters will be published in the class text and on The Austin Chronicle website. They will also have the opportunity to perform this play at an Austin Chronicle-sponsored student show.

Please submit your script by May 15th by email to my@tamu.edu


What Should Students Expect to Be Tested from nan Final Exam

Final Exam

Excerpt from essay :

In this report, the various types of techniques which will be used to achieve these goals are discussed. It should be noted that there are various levels of goals and they should be kept in mind while formulating the actual strategies. As suggested by Osterweil (1996), it is very important to set clear-cut goals so that one is aware of what he/she wants to achieve, in order to have a realistic approach towards achieving them. In this case

How to Prepare for nan Final Exam

at University of Phoenix

Dra 3326 nan Final Exam Review

Study Tips For DRA 3326 – Playwriting (nan) at University of Phoenix

Final Exam Study Guide for DRA 3326 – Playwriting (nan) at University of Phoenix


Prepare your final exam for the class by identifying and discussing the author’s methods. How would you characterize these methods? Explain.


If I were to write a play I would try to get my characters straightened

Final Exam Questions Generated from Top 100 Pages on Bing



item From the list of 175 play text excerpts given in Chapter 3, choose four texts for which the author
can be identified. Within each excerpt, choose one work whose writer is known (author) or a
text whose writer is unknown (poet). Describe briefly how you would apply the readings you have
discussed to these

Final Exam Questions Generated from Top 100 Pages on Google

DRA 3326 – Playwriting (nan)
DRA 3326 – Playwriting (nurdles)
DRA 3326 – Playwriting (nan)
DRA 3326 – Playwriting (nan)
DRA 3326 – Playwriting (nan)
DRA 3326 – Playwriting (nurdles)
DRA 3326 – Playwriting (phd)

Week by Week Course Overview

nan Week 1 Description

Week 1


Course Overview:

The course was very interesting and fun. I learned a lot about how the playwriting process works and what goes into writing and producing a play.

I recommend the class to anyone who is interested in learning about the inner workings of creating a play, especially since it is such an essential piece of theatre.

Course highlights:

I learned how to write a play from scratch, including the research involved, planning, creating characters and establishing plot. It was really helpful to

nan Week 1 Outline

Week 2 Outline for DRA 3326 – Playwriting (nan)

Introduction to Shakespeare

Performance and Production

Week 3 Outline for DRA 3326 – Playwriting (nan)

Week 4 Outline for DRA 3326 – Playwriting (nan)

Week 5 Outline for DRA 3326 – Playwriting (nan)

Week 6 Week One Review: Themes and Motifs, Fable, Prose Introdu

nan Week 1 Objectives

Week 1 Objectives for DRA 3326 – Playwriting (nan)

Week 1

Week 2

Week 3

Readings :

Pseudonyms & Title
What is a name? What is a title? What does it mean when a writer puts these together? Why do writers use them?

In what ways do titles tell us something about the characters or story being told in a play? Are there any literary elements that are absent from the title

nan Week 1 Pre-requisites

and DRA 3328 – Script Analysis (nan) DRA 3326 – Playwriting and DRA 3328 – Script Analysis

– Summer Session and Fall Semester in Qualifying Course: None.

– Credits Available:
– Section Instructional Method: Group-Live
– Credits Equivalents:

– Section Notes:
– Lecture/Lab Hours per Week: 3
– Other Courses Required By The Same Instructor:

© Copyright © University of Wisconsin

nan Week 1 Duration


Week 2 Duration for DRA 3326 – Playwriting (nan) (PDF)

Week 3 Duration for DRA 3326 – Playwriting (nan) (PDF)

Week 4 Duration for DRA 3326 – Playwriting (nan) (PDF)

Week 5 Duration for DRA 3326 – Playwriting (nan) (PDF)

Week 6 Duration for


3326 – Play

nan Week 1 Learning Outcomes

6/20 Lecture: Course Information & DRA 3326 – Playwriting (nan) Week 1: Introduction to Characterization

– What is character? – What makes characters different from each other? – Why should we care about characters?

Week 2: Creating Characters

– Drawing and Writing About Characters

– Who is the character? – How do I know what type of character it is?

– Researching the Character

nan Week 1 Assessment & Grading

– None required, but a copy of the textbook would be very helpful

Week 1 Assignment & Grading for DRA 3326 – Playwriting (nan)
You will choose a play and write a scene that has both plot and theme.
Your scenes must include at least one moment from each of the three acts.

Plot: The play begins with a woman being driven to a dance in front of her window. The camera moves in on the dancing figure and she turns to

nan Week 1 Suggested Resources/Books

Week 2 Suggested Resources/Books for DRA 3326 – Playwriting (nan) Week 3 Suggested Resources/Books for DRA 3326 – Playwriting (nan) Week 4 Suggested Resources/Books for DRA 3326 – Playwriting (nan)

Week 1 Topics

Week 2 Topics

Week 3 Topics

Week 4 Topic Summary and Readings Topic Summary and Readings Topic Summary and Readings Topic Summary and Readings


nan Week 1 Assignment (20 Questions)

for Free. 1 point is available for each correct answer. No calculators or note cards allowed.
Wednesday, October 9

I am not able to access my W3C page, but I did see the title and author of this paper in the list of papers in the DRA website (attached)

DRA 3326 Week 2 Assignment (30 Questions) for DRA 3326 – Playwriting (nan) for Free. 1 point is available for each

nan Week 1 Assignment Question (20 Questions)

(2018). Just $6.99 per page.

I need to do some work with DRA 3326 – Playwriting. I am trying to find a good website where I can purchase a research paper, but they are charging $1000 for my paper, so I am looking for a cheaper solution. Can you help me?

nan Week 1 Discussion 1 (20 Questions)



Terms of Use: https://www.bocafire.org/Lists/2018-19BookWeek/DRAWING_WORK_021120.pdf

Copyright © 2020 United Way of Broward County, Inc.

nan Week 1 DQ 1 (20 Questions)

at University of Phoenix, Denver Campus

Don’t Miss Another Q

nan Week 1 Discussion 2 (20 Questions)

at University of Phoenix, Henderson, NV.

1. In a scene from your play or work in progress, how can you respond to the different physical settings that are present in your work?

2. How do you prepare for your plays? Do you create the set first or do you first sketch out ideas on paper and then build sets?

3. What are some of the challenges that you encounter as a playwright who is an editor as well? What advice would you give to other

nan Week 1 DQ 2 (20 Questions)

at University of Phoenix


nan Week 1 Quiz (20 Questions)

at Khan Academy.

I went through all 20 questions with the students. There were a few questions where I would use an easier sentence that may not fit the concept of the prompt.

nan Week 1 MCQ’s (20 Multiple Choice Questions)

at the end of this preview.

Bookmark it to view later.

What students are saying

nan Week 2 Description

Week 2

the play, there are also other modes of story that make up the field of playwriting. These include melodrama, farce, satire and historical drama. The majority of plays in the theatre fall into this category with a few exceptions, which are either comedy or tragedy.

The creative imagination is crucial to playwriting because without it no one would want to read a play. In order to be successful playwrights need to be able to imagine and create believable characters, situations and ideas

nan Week 2 Outline

2016-03-22 00:50
Free online courses for high school students Nan English Language Learners in Education Workshop November 2013, Denver, CO (nan) 2013-11-17 23:28
Free online courses for high school students Nan Week 1 Overview of Teaching Tolerance workshop February 2014, Denver, CO (nan) 2014-02-06 18:20

nan Week 2 Objectives

These notes cover Week 2 of the course. For details on other assignments, see the syllabus.

– Sample DRA 3326 Lecture Slides

1 – Week 2 Outline
1. Laying Out the Play (1)
a) Characterization
b) Plot
c) Setting and Time
d) Scene Summary
e) Playing with Direction

2 – Preview
a) What is a play?
b) What is

nan Week 2 Pre-requisites

Pre-requisites for DRA 3326 – Playwriting (nan) 2

Examination of the plays written by the playwrights will be based on their titles, brief descriptions, and literary merit. The students will be expected to identify whether they are in agreement or disagreement with the playwright’s point of view. They will be required to submit a response as to how this differs from other works by that same author.

An emphasis on text analysis and an examination of essential

nan Week 2 Duration

Week 2 Duration for DRA 3326 – Playwriting (nan) Week 2 Duration for

1008 words, assignment due Monday, June 18, 2018,
5 days left to submit

In your discussions of the plays you have seen so far in this class, and considering the genres of playwriting in general, pick a topic that is important to you. Write an essay (at least three pages in length) about this topic. You may pick

nan Week 2 Learning Outcomes

(National American University)

The purpose of the Playwriting assignments for Week 2 are as follows: The student will be able to: Compose an appropriate and effective drama script. Write dialogues that appeal to the audience. Use sound effects and special effects in theater productions. Design characters that express meaning. Summarize a play written by another author. Examine the various types of Dramatic Forms used in plays.

Week 2 Reading Assignments:

– Best Plays Ever Written, pp

nan Week 2 Assessment & Grading

1/8/2010 3:40:10 PM
and other students throughout the semester. After viewing the video, respond to the following:
1. What is a play that you would like to see on stage? 2. Why do you think it would be interesting to see it on stage?
Week 3 Assessment & Grading for DRA 3326 – Playwriting (nan) 1/8/2010 3:40:10 PM

nan Week 2 Suggested Resources/Books

– StudyBlue


nan Week 2 Assignment (20 Questions)

at Strayer University, Arlington.

This preview shows document pages 1 – 4. Sign up to view the full document. Get Access

Chapter 6: The Inspiration and Research Process

When writing a play, I can’t help but think about all the good movies that I’ve seen over the years. Many of them have had a big influence on me and my writing style. I used to watch very little television before becoming an English major in college, but now it is one of my

nan Week 2 Assignment Question (20 Questions)

at Strayer University, USA.

https://needinghelp.com/wp-content/uploads/2021/05/NEEDHELP-LOGO-300×60.png 0 0 neeedhelp https://needinghelp.com/wp-content/uploads/2021/05/NEEDHELP-LOGO-300×60.png neeedhelp 2021-04-26 14:25:51 2021-04-26 14:25:51

Write an

nan Week 2 Discussion 1 (20 Questions)

Question 1
When people are in the throes of depression, they might be experiencing thoughts of suicide or even homicidal ideation. Even though these thoughts are severe and often frightening, they are not a symptom of being suicidal or homicidal. If you are experiencing a serious mental health problem, such as depression, you should consult a psychiatrist or other mental health professional.

Which one of the following is a possible approach to dealing with these thoughts? Select all that apply.
A. Attempt

nan Week 2 DQ 1 (20 Questions)

at University Of Phoenix

1. (20) The term “laureate” refers to a student who has achieved the highest academic degree in a program of study or obtained the highest academic rank within a profession.

A) True B) False

2. (20) If you are working on a story with several characters, the most important consideration is what?

A) What’s happening to them B) How they interact C) Their inner thoughts and feelings D) Their actions

3. (

nan Week 2 Discussion 2 (20 Questions)

at University of Houston.

Create a 10- to 12-slide Microsoft® PowerPoint® presentation, including the following: Provide an overview of the playwriting process. Create a rough draft based on your background reading and workshop feedback. Provide at least two major revisions. Also, include a title slide that includes the play title, author’s name, creator, stage setting/setting, time period, theme, and characters in order of importance. Also include an executive summary that addresses the following: Provide a

nan Week 2 DQ 2 (20 Questions)

at University of Phoenix.

How the study of playwriting in theatre can help you further your studies

Discuss the qualities that contribute to a good play

Explain what makes a good stage manager

Analyse and evaluate a successful production of a classic play

Compare and contrast two plays written by different playwrights

Describe and analyse an effective use of symbolism in a play

Conclude an analysis of an effective way to design a stage set in a production

Select 10 poems from 100 famous poets

nan Week 2 Quiz (20 Questions)

at University of Houston.

“1) “Drafter” is used as a noun in English language and plays an important role for the following reasons: 1) A drafter in a studio is designed to create and manipulate 2D and 3D graphics. 2) A drafter is often part of a team of designers and developers working together on a project. A team may include programmers, artists, or designers. (Select the correct answer with reference to #1 and

nan Week 2 MCQ’s (20 Multiple Choice Questions)

at University Of Arkansas At Little Rock. Free sample questions for this textbook are included. To study this subject you should have strong reading skills and understanding of grammar.

Try the free sample questions for

Read more about DRA 3326 – Playwriting

Other courses taken from this professor: DRA 3326

Other courses taught by this professor: DRA 3326

Other courses in this subject offered by University Of Arkansas At Little Rock: None listed

Other courses in this subject offered

nan Week 3 Description

Week 3 Assignment: Review the following links and add your own ideas and writing process. Then, in a three- to five-page research paper (not including cover page, outline, or annotated bibliography), use the links as sources to support your assertions. Be sure to include at least one outside source. http://www.msu.edu/~wit/mypagepage.html http://www.studenthandouts.com/nanweek2.htm http://college.ncte.org/teach/read

nan Week 3 Outline

Week 4 Outline for DRA 3326 – Playwriting (nan) Week 5 Outline for DRA 3326 – Playwriting (nan) Week 6 Outline for DRA 3326 – Playwriting (nan) Week 7 Outline for DRA 3326 – Playwriting (nan) Week 8 Outline for DRA 3326 – Playwriting (nan) Week 9 Schedule Preparation Assignment: Character Development and Setting Assignment: Scene Study and Performance Workshop Assignment:

nan Week 3 Objectives

Textbook: Time, Space and Context: Writing and Reading with
Dramatic Works by Susan Goldberg (New York: New York University Press,

Spring Semester

Course Description:

This course will focus on the fundamental aspects of playwriting. It will include the
study of dramatic works by well-known playwrights and consider how their work was
transformed from script to stage by directors, actors, and audiences. Course
materials will include an anthology of contemporary plays as well as

nan Week 3 Pre-requisites


Theatre 3326 – Playwriting (nan) Credits: 1
An introduction to playwriting with a focus on the contemporary theatre scene in New Zealand. The course will develop a critical understanding of the role and function of playwriting in contemporary society. In addition, it will explore the history of New Zealand theatre through theoretical texts, work by established playwrights and emerging playwrights.


Required reading
Hobson, K. (2018). A writer’s

nan Week 3 Duration

Rating 4.3,
United States

– Week 3
– Length: 10 Weeks
– Dates:
– Start on July 28, 2016 / Friday
– Enrolled students: 26
– Active students: 25
– Last time updated: May 5, 2016


1 Review

Course Reputation

4.33 (out of 5)

Recent Reviews:

Overall Rating

4.333333333333334 out

nan Week 3 Learning Outcomes

1. Articulate the three key elements of playwriting
2. Explain how the three key elements (form, structure, theme) relate to each other in the process of playwriting
3. Demonstrate an understanding of how to plan a play using these three key elements

1) Form – setting, character, dialogue

2) Structure – act structure, scene structure

3) Theme – conflict

4) What is the main idea/ theme of your play? Why is

nan Week 3 Assessment & Grading

2016-04-28 00:00:00

Week 3 Assessment & Grading for DRA 3326 – Playwriting (nan) 2016-04-28 00:00:00

Requirements and Deadlines

Week Date Assignment Grading Due Date
1 February 4th Read Chapter One, Read Two, and Write a One-Pager in class. Chapter one should be turned in by next class.
2 February 11th Reading of Chapter One

nan Week 3 Suggested Resources/Books




Nancie Lighty, Director; Established Women Theatre Company, 1998-2000. She has been a Theater Instructor at Marywood University, 1997-

nan Week 3 Assignment (20 Questions)

course, or review the complete documents below, and submit by the posted deadline. You must use at least 2 sources for each assignment.
Answer all questions in this assignment and submit an APA formatted document in Microsoft Word.
The answer to this assignment should be at least 300 words and include a thorough analysis of the play text.

Week 3 Assignment (20 Questions) for DRA 3326 – Playwriting (nan) Course


nan Week 3 Assignment Question (20 Questions)

, or submit your own paper to our essay writing library.

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nan Week 3 Discussion 2 (20 Questions)

at University Of Phoenix.

You will be asked to answer these questions for this week’s module:

Week 3 Discussion 1

Week 3 Discussion 2

Question #1: What is the difference between tragedy and melodrama? How does the form of a play affect its meaning?

Question #2: Distinguish between the illusion of truth and the fact of truth in theater. What do these two terms mean to you?

Question #3: In your opinion, what makes a good play

nan Week 3 DQ 2 (20 Questions)

at Algonquin College in Canada

This tutorial contains 2 Articles


1. Actor-Guide.com: Actors Guild Theatrical Contracts

2. Playwrights’ Guide to the American Theater: Introduction and Overview



Interview with Playwright, Robert Bunker

Interview with playwright, David Mamet


Playwright Robert Bunker discussing his play in the West End of London, “The Divorced Gentleman.”

Other Related Materials:

Stage Directory

nan Week 3 Quiz (20 Questions)

at Cram.com. Quickly memorize the terms, phrases and much more. Cram.com makes it easy to get the grade you want! DRA 3326 Week 3 Quiz (20 Questions) Flashcards | Quizlet To successfully complete this assignment: You need to know your textbook well, especially Chapter 3. In this chapter, we learn about the different types of playwrights and their characteristics. Use the information from your textbook, your knowledge of dramatic structure and your own research

nan Week 3 MCQ’s (20 Multiple Choice Questions)