HUM110C – Foundations in Humanities The Literary Imagination HUM110C – Exclusive Course Details

HUM110C Course Introduction

Course Information HUM110C – Foundations in Humanities (The Literary Imagination) is a course designed for the first-year student who needs to become acquainted with the principles and methods of literary studies. This course satisfies the University’s liberal arts general education requirement in writing. During this course, students will be introduced to how writers write, how they create meaning, and how their works reflect society at large. In particular, students will be trained to read for meaning and meaning-making in texts of varying lengths and

HUM110C Course Description

The Literary Imagination is a course designed to deepen the understanding of literary texts. The course focuses on reading, discussing, and writing about individual literary works. Some emphasis is given to Shakespeare’s comedies; some will be on other plays, and others are assigned and discussed as unassigned readings from the Norton Anthology of English Literature (7th ed.). Students are expected to come prepared for each session by reviewing their assigned chapter notes. Exemplary students may contribute significantly to group discussion and writing assignments

Universities Offering the HUM110C Course

at University of Toronto (UofT), Canada.

HUM110C Course Outline

This is a tentative course outline that will be updated as new information becomes available.

A minimum of 12 credits must be completed at Fairfield University (9 credits in upper-level Humanities and 3 credits in lower-level Languages and Literatures).

Students must earn a grade of C- or higher for each course they take at Fairfield University.

The following courses may not be taken concurrently with HUM110C: U.S. History 101, U.S. History 102, World Cultures 105,

HUM110C Course Objectives

Course Objectives for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C)

Course Description

This course will introduce you to the many ways that scholars have studied the human experience through literature. Students will read a variety of literary texts and explore literary theory.

Rationale

Literary studies engage students in the various ways that humans experience the world. Writing, art, film, theatre, music, and dance have all been used as mediums for expressing personal thoughts and

HUM110C Course Pre-requisites

at Memorial University

Course Description

Bates 110C Textbook Information: This course is a text-based module in the Humanities and Social Sciences (HSS) program at Memorial University. It is designed to familiarize students with the intellectual traditions of the humanities. It does not focus on specific disciplines but rather provides an introduction to a variety of writers, thinkers, and movements.

Textbooks for HUM110C will be delivered in class.

Time Commitment

See course outlines under Hours & Location

HUM110C Course Duration & Credits

at Auckland University of Technology.

Week 1

General information: Week 1

Reading for this week:

1. “The Enlightenment and the Humanities” by John Fea (2010) p. 3-5

2. “Epistemological Abstractions and Political Pragmatism” by Ralph Linton (2008) pp. 6-7

Week 2

General information: Week 2

Reading for this week:

1. “Dialectics in the

HUM110C Course Learning Outcomes

1. Examine and analyse the processes through which human creativity is manifested in literature, music, and visual arts. 2. Demonstrate an understanding of the fundamental connections between literature, music, and art; of how we read texts in terms of literary techniques; and of how we see a work of art as a response to historical events or social contexts. 3. Describe and analyze specific elements found in a written text, including authorial intention, genre, form, style, historical context

HUM110C Course Assessment & Grading Criteria

Course Assessment & Grading Criteria for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C)

Course Number: 10010101

Date: 2016-09-16

Course Title: HUM110C Course Assessment & Grading Criteria for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C)

Credit Hours: 3.00

Instructor: Mrs. K. Merritt

Max # of

HUM110C Course Fact Sheet

Course Overview Course description: Designed for students who have completed ENG 110C or equivalent, this course examines the formal and non-formal aspects of literature, including both traditional (epic, drama) and modern (poetry, novel) texts. In addition to reading selections from a variety of genres including poetry, short stories, novels, autobiographical works and dramatic literature, students will explore the history and theories of literary studies and then apply their knowledge to their own reading selections. This course is designed

HUM110C Course Delivery Modes

– Course Notes

Details of the course delivery mode for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C)

The course is presented in six half-day seminar meetings and one two-week revision period. The week-long revision period is designed to consolidate knowledge and increase understanding. There are four seminar meetings each week, which are designed to provide opportunities for discussion, exchange of ideas and the presentation of homework assignments. Each session will begin with a 15 minute lecture followed

HUM110C Course Faculty Qualifications

is a humanities course taught at the University of Illinois.

HUM110C Course Syllabus

1 COURSE INFORMATION AND DESCRIPTION Course Section (32) Prerequisites/Corequisites: HUM110A, ENG110C and SOCI110C. Satisfies the Core Requirement for Humanities. Elective for Humanities Majors and Minors, as well as English Majors and Minors. HUM110C Topics are selected from a wide variety of courses within and outside the humanities.

(Literary/Visual/Audio/Image/Textual) course topic(s).

Course Number HUM110

Suggested HUM110C Course Resources/Books

– University of Toronto.

COURSE DESCRIPTION.

FALL 2004: Spring 2005: Lecture Course Syllabus. Literature and Culture of the Bible. COURSE INFORMATION.

Unit 1: Reading and Understanding Literary Texts. UNIT ONE: WRITING AND READING LITERARY TEXTS. Overview. A literature course should involve reading and analyzing literary texts to enrich one’s understanding of both the text and the author’s craft.

Essential Questions for HUM110C Course Sy

HUM110C Course Practicum Journal

– Fall 2009.

HUM110C Course Practicum Journal for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) – Spring 2010.

HUM111C Course Practicum Journal for HUM111C – Foundations of Information Science (The Art of Information Science) (HUM111C) – Fall 2009.

HUM111C Course Practicum Journal for HUM111C – Foundations of Information Science (The Art of

Suggested HUM110C Course Resources (Websites, Books, Journal Articles, etc.)

with Professor Catherine H. Wolff

HUM110C – The Literary Imagination

Books and Articles

Michele M. Short, Ruth E. Holliday, & Sandra L. Cox, eds., Handbook of Language and Literature (New York: Routledge, 2014).

Essays:

Mark Haddon, The Curious Incident of the Dog in the Night-Time. Oxford: Oxford University Press, 2003.

Stephen King & Martin Scorsese, It: An American Ha

HUM110C Course Project Proposal

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HUM110C Course Practicum

(Summer 2015) at BYU

The course is a literary study of one work or group of works by an author who is not a major contemporary American writer. The course will explore the philosophical, historical, and cultural contexts that shape writers’ creations and discuss the ways in which those choices affect their interpretation and reception. In addition, students will develop their own interpretation of the texts through discussion and writing assignments.

Prerequisites: HUM110A or HUM110B. Up to 6

Related HUM110C Courses

HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) is a course that is offered in Spring 2021 as a part of the Winter 2021/2022 cohort at Colorado College. This is an online course. Credits: 3.

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Midterm Exam

at UMass Lowell. Study Flashcards On HUM110C Final Exam Study Guide, at Cram.com. Quickly memorize the terms, phrases and much more.

HUM110C Final Exam Review – Pinterest

Final Exam 3: Learning Goals: You will complete the following goals during this exam. 1. We are going to look at written pieces from both a literary and rhetorical standpoint in a test where we will read various texts and be tested on them.

Final Exam Essay Examples |

Top 100 AI-Generated Questions

– Duration: 1:00:51. Science Explore and learn science facts with fun activities, videos, images, and more. Human Rights Resources for the Humanities The Association of American Colleges and Universities (AAC&U) has compiled a list of resources that support students in the humanities and social sciences, including courses related to critical thinking. Site navigation is available through the search box to the left. In this article, we have listed 10 most popular free online human rights classes from Coursera

What Should Students Expect to Be Tested from HUM110C Midterm Exam

at Long Beach City College?

What are the types of questions on the midterm exam for HUM110C? This is a multi-part question and each question will be worth 15% of the final grade. Please look at the details below before you begin answering the questions.

The questions are:

Part A: Word Choice

Part B: Tone, Mood, Syntax, and Word Choice

Part C: Text-Based Questions

Part D: Multiple Choice

1. Describe the poem that closes out the

How to Prepare for HUM110C Midterm Exam

at University of Washington

We will use the same textbooks and class notes as you would receive in class. This is a two-day examination, consisting of two 2-hour exams, which are worth 100 points each.

A maximum of one week will be allowed for preparation. If your final exam time falls within the one week, you may take the final exam at any time during that week.

Exam format and timing:

The exams will be open book and closed note.

There will be a total of

Midterm Exam Questions Generated from Top 100 Pages on Bing

at the University of California, Los Angeles

Q: 1. First published in 1997, and now in its seventh edition, this text is a primary source for understanding the nature of the literary imagination that prompted John Steinbeck to write “The Grapes of Wrath,” William Faulkner’s “A Rose for Emily,” and Ernest Hemingway’s “A Farewell to Arms.” What is the genre of The Grapes of Wrath?

2. Henry James’ introduction to his novel

Midterm Exam Questions Generated from Top 100 Pages on Google

(CBE)

Final Exam

(Spring 2020) Study Guide by Fred Astaire. Learn with flashcards, games, and more — for free.

Don’t like this video? Sign in to make your opinion count. The purpose of this test is to examine whether you can apply the general principles of reasoning and analysis that are presented throughout the course. Please pay close attention to all four questions below and select the one answer that most closely resembles your belief about this particular topic.

https://examify.me/best-answers

Top 100 AI-Generated Questions

at the University of St. Andrews in Scotland, United Kingdom

Top 100 AI-Generated Questions for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) at the University of St. Andrews in Scotland, United Kingdom

ketchup = a cooking condiment consisting of tomato juice and other ingredients such as sugar, vinegar or cayenne pepper and hot sauce.

* This is a list of top 100 AI-generated questions for HUM110C –

What Should Students Expect to Be Tested from HUM110C Final Exam

– Spring 2019

Weeks Progress: 0% Complete

Last Week Completed: 100%

Total Questions: 5

Question 1:

When we speak of race and ethnicity, what do we mean? [2]

Answer:

Race is a social construct that gives us a basis for identifying people who are similar to each other in terms of their physical attributes. That’s the easy answer. But there is more to it than that.

Ethnicity on the other hand is more

How to Prepare for HUM110C Final Exam

class at San Jose State University

What to Expect on Test Day

How to Get an A on the Final Exam for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) class at San Jose State University

Special Note: You do not need to purchase or print a study guide. There will be no questions on the exam that you cannot answer with your textbook and any notes.

Study Guides for Each Unit of Study in HUM110C – Foundations in

Final Exam Questions Generated from Top 100 Pages on Bing

– Summer 2017, Fall 2017, Spring 2018

What is a persuasive essay? What is the purpose of a persuasive essay? Persuasive essays are essays that attempt to influence readers to change their minds about a particular subject.

For example, you might write a persuasive essay that convinces your parents to give up smoking cigarettes or get married. How do you write a persuasive essay? Persuasive essays should present one side of an issue and then offer evidence and reasons for

Final Exam Questions Generated from Top 100 Pages on Google

Exam 2 (2017-18)

Week by Week Course Overview

HUM110C Week 1 Description

Week 1 Description for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) Notes for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) Notes for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C)

Notes about HUM110C – Foundations in Humanities (The Literary Imagination)

Tags: The Literature, Storytelling, Literature, Reading, Critical thinking

HUM110C Week 1 Outline

The Literary Imagination

ENG110 Week 1 Assignment Annotated Bibliography ENG110 Week 1 Assignment Annotated Bibliography How to Write an Annotated Bibliography and a Conclusion for a Research Paper ENG110 Week 2 Reflection: Prose Poem

ENG110 Week 3 Reflection: Prose Poem ENG110 Week 3 Reflection: Prose Poem How to Write a Critique and Make Meaning of Prose ENG110 Week 4 Summary: Prose Poem

ENG110

HUM110C Week 1 Objectives

Week 1 HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) Week 1 HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) Week 1

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HUM110C Week 1 Pre-requisites

1. Introduction to the Course – The Literary Imagination: The Power of the Written Word (HUM110C) 2. Responding to Literature – Writing About Literature: Reading, Viewing, and Writing for Meaning (HUM110C) 3. Key Terms in Literary Studies (HUM110C) 4. Composing and Responding to Poetry: Focusing on Analysis (HUM110C) 5. Composing and Responding to Plays: Focusing on

HUM110C Week 1 Duration

Week 1 Unit I: The Nature of the Literary Imagination

Unit II: The Storyteller in History

Unit III: Personal Narratives in History

Unit IV: The Novel and the Novelistic Tradition

Unit V: Genre and Authorial Identity

Unit VI: Homelands, Otherness, and Diaspora Readings O’Brien, B. (2006). “Essential Questions in the Study of Literature.” Literary Theory for Nonfiction Writers. Ed. Frank Moran. New

HUM110C Week 1 Learning Outcomes

The Literary Imagination explores the variety of forms, techniques and styles of contemporary literary works (e.g. fiction, poetry, and drama) in order to understand the ways in which they are created and read. In this course, we will explore a variety of literary works to examine how they do or do not reflect what is happening in society at a particular moment in time; their relationship with other literary works; and their relationship to cultural history. Course Syllabus (Readings for each week will

HUM110C Week 1 Assessment & Grading

Start Date: Wednesday, August 29th, 2018 – 12:00am End Date: Thursday, September 13th, 2018 – 11:59pm Description:

You are an undergraduate student in the humanities. This class has been designed to provide you with a foundation in the literary imagination and important aspects of literary study. The goal is to provide you with a basis for critical thinking and writing that will allow you to participate fully in the classroom as well as in your

HUM110C Week 1 Suggested Resources/Books

HUM110C Week 1 DQ 1 (200 words) HUM110C Week 1 DQ 2 (200 words) HUM110C Week 2 Suggested Resources/Books for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) HUM110C Week 2 DQ 1 (200 words) HUM110C Week 2 DQ 2 (200 words)

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HUM110C Week 1 Assignment (20 Questions)

at Walden University – Page 2 of 18. Join for free and gain visibility by uploading your research. Look at this analogy. This thread is archived. In the following diagram, A is a location, B is an event, and C is a person who has experienced A.

HUM110C Week 1 Assignment (20 Questions) for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) at Walden University – Page 1 of

HUM110C Week 1 Assignment Question (20 Questions)

– Spring 2014. To participate in the discussion thread, please register or login. https://www.saylor.org/humanities/college…s_-hmin110c week 1 assignment question 20 questions for humin110c – foundations in humanities (the literary imagination) (hum110c) – spring 2014. to participate in the discussion thread, please register or login.

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HUM110C Week 1 Discussion 1 (20 Questions)

at University of Phoenix. HUM110C Week 1 Discussion 1 (20 Questions) for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) …

HUM110 Lecture Notes WEEK 1 – THE LITERARY IMAGINATION HUM 110 C – THE LITERARY IMAGINATION: Readings and Resources for the Exam Chapter 1: Introduction, Robert Pinsky You will take a brief quiz on Chapters 2 and 3

HUM110C Week 1 DQ 1 (20 Questions)

– Spring 2012. Select this option if you need help with a…

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HUM110C Week 2 DQ 1 for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) – Spring 2012. Select this option if you need help with a…

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HUM110C Week 1 Discussion 2 (20 Questions)

– Online Course Material for University of Phoenix

Details: HUM110C Week 1 Discussion 2 (20 Questions) for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) – Online Course Material for University of Phoenix

Week 1 Discussion 2

How does the image of the artist as a man who creates art out of his personal experiences, whether or not those experiences can be applied to the lives of others, shape perceptions of this individual

HUM110C Week 1 DQ 2 (20 Questions)

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Can you help me with this assignment? I need to submit on 4/15 but I can’t find the article. I looked at the library. I found the information here: http://www.columbia.edu/cu/lweb/~econp/econ104a/Hum110C/Literary_Innovation.pdf

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HUM110C Week 1 Quiz (20 Questions)

– StudyBlue Flashcards

Get up to speed with HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) by answering the questions below. If you’re looking for a better understanding of HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C), then make sure you also take our FREE HUM110C course.

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HUM110C Week 1 MCQ’s (20 Multiple Choice Questions)

– Brainard University. This set of Lesson Worksheets (Quiz & Worksheet) for HUM110C Foundations in Humanities (The Literary Imagination) provides multiple choice questions (MCQs) aligned to chapter 1 of the textbook, Foundations in Humanities (The Literary Imagination). Each quiz/worksheet combo includes 20 multiple choice questions to study. The first quiz is based on the initial learning goals and objectives for the module, whereas the second quiz is focused on covering the specific content outlined in the

HUM110C Week 2 Description

Week 2 Description for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) *All the readings will be posted on Canvas prior to the date listed below. Please do not complete any exercises until reading has been completed* What are the key terms associated with what you have read? What are some questions or issues that you have encountered? What are some common themes that you have noticed? Please provide links to your readings and resources used for this assignment. Include

HUM110C Week 2 Outline

– Spring 2011 Dr. Matthew E. Bond Department of English

HUM110C: Foundations in the Humanities: The Literary Imagination (Week 3) Lecture Outline for HUM110C – Foundations in the Humanities (The Literary Imagination) (HUM110C) – Spring 2012 Dr. Matthew E. Bond Department

HUM110C: Foundations in the Humanities: The Literary Imagination (Week 6) Lecture Outline for HUM110C – Foundations in

HUM110C Week 2 Objectives

Week 2: Reading and Writing to Critique Texts (HUM110C) Week 3: Analyzing Poetry, Fiction, and Drama (HUM110C) Week 4: Reflection & Inquiry (HUM110C) Week 5: Writing Literary Criticism (HUM110C)

Order Description

You have just been appointed as the newest member of the editors team of a local literary journal. The editor of the journal recently announced that he is interested in doing some extensive

HUM110C Week 2 Pre-requisites

1.5FtW: 0 HoursC: 0 HoursPrereqs: none , none , none

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HUM110C Week 2 Duration

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HUM110C Week 2 Learning Outcomes

(HUM110C) 1. Outline the primary principles of literary form and style. 2. Analyse the primary functions of language in different genres. 3. Identify the uses of textual materials from diverse cultures and contexts in the literary world.

1

Midterm Examination, Fall Semester, HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) (HUM110C) Fall 2012 The Literary Imagination (Part I) –

HUM110C Week 2 Assessment & Grading

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HUM110C Week 2 Assessment & Grading for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C)

– Question

Write a short essay of at least two pages that responds to the question posed in this week’s Learning Resources. Be sure to use specific examples from the readings and discussion for each topic.

Note: You will need to define the term “

HUM110C Week 2 Suggested Resources/Books

(2008-09, Fall) University of West Georgia Guide to Acing Humanities Classes

Acing the Humanities

Suggested Books for HUM110C – Foundations in Humanities (The Literary Imagination)

Student Success Center

Homework Policy and Guidelines

Textbook and Course Information:

Required Texts:

Notes & Study Guides:

Links to The Literary Imagination:

Dossie Easton’s Blog (about literature, feminism, parenting, identity and more): http://dossieeaston

HUM110C Week 2 Assignment (20 Questions)

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HUM110C Week 2 Assignment Question (20 Questions)

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Assignment 2: Essay, 5 pages

Running Head: DISCUSSION POST QUESTION ANSWERS (25 points) Question 1 Answer: Discussion Post #1 – How has your understanding of the emotional experience and imagination of literature changed as you read the texts? I feel that I have understood and learned more about how emotions are constructed in literature because of reading the assigned texts. The nature of emotions that makes a character move, feel or react is very different than how we usually

HUM110C Week 2 Discussion 1 (20 Questions)

at Grand Canyon University

Discussion 1 (20 Questions) for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) Discussion 1

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HUM110C Week 2 DQ 1 (20 Questions)

at University of Phoenix. For more course tutorials visit www.uophelp.com

HUM110C Week 2 DQ 1 (20 Questions) for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) was first added on 2020-05-13T04:00:10+00:00 and last updateed by Floy Gail 2 months ago.

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HUM110C Week 2 Discussion 2 (20 Questions)

Week 2 Discussion 2 (20 Questions) for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) for free.

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HUM110C Week 2 DQ 2 (20 Questions)

for University of Phoenix. For more course tutorials visit www.uophelp.comReview this weeks readings and complete the reading assignments. From the books, select one of the works that you selected in week one to focus on in your paper. Use at least four scholarly sources for your paper. Support your response with specific textual evidence from the assigned readings. (You must use at least 4 scholarly sources)Be sure to fully address all aspects of the assignment for a passing grade!QUERIES AND EX

HUM110C Week 2 Quiz (20 Questions)

at University of Arkansas, Fayetteville. Study Flashcards On HUM 110C – Week 1 Quiz (20 Questions) at Cram.com. Quickly memorize the terms, phrases and much more. Cram.com makes it easy to get the grade you want! … HUM110C – Foundations in Humanities (The Literary Imagination) … Quiz Name: … …

HUM101 Introduction to Modern Languages Fall 2018 QUIZ #1 Title: INTRODUCTION TO MODERN LANGU

HUM110C Week 2 MCQ’s (20 Multiple Choice Questions)

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HUM110C MCQs for Chapter 5 (The Literary Imagination) (HUM110C) Exam

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Introduction

How do we know what the text is about?

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HUM110C Week 3 Description

Week 3 Description for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) Instructor: Mr. Lorraine Duke Department: The Language and Cultural Studies Department Course: HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) Unit Title: The Literary Imagination Unit Code: TheLitImag Unit Credit Hours: 3

Description for HUM110C – Foundations in Humanities (The Literary Imagination)

This

HUM110C Week 3 Outline

Week 3 Outline for HUM110C – Foundations in Humanities (The Literary Imagination) The literary imagination is something that’s inherent to human experience. When you read the words of the Bible or Homer, it’s impossible not to imagine the storylines and characters. All fiction is an attempt to create this kind of mental imagery in the reader. How do we know when a fictional story has succeeded? What are some of the clues in a story’s plot that allow us to know it was successful

HUM110C Week 3 Objectives

– Spring 2015 Objectives for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) – Spring 2015

1 HUM110C Week 3 Objectives for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) – Spring 2015 Objectives for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C) – Spring 2015

HUM110C Week 3 Pre-requisites

for 2019 Semester

The class meets once a week, from 10:00 – 11:15 a.m., on Tuesdays. The time and location are subject to change.

College of Humanities and Social Sciences Home Page | Liberal Arts Division | Learning Center | Faculty Contact

HUM110C Week 3 Duration

Week 3 Duration: 7 hours. The Literary Imagination is an examination of literature through both critical analysis and creative writing, incorporating the ability to construct textual argument from a wide range of literary texts.

Introduction to Theater Studies Course Overview. Theater Studies I covers fundamental concepts and principles of theater and performance as they relate to historical periods, cultures, and social contexts.

The course also covers the history of theater in the United States and around the world as well as the role of theater in popular culture.

HUM110C Week 3 Learning Outcomes

HUM110C Week 3 Learning Outcomes for HUM110C – Foundations in Humanities (The Literary Imagination) (HUM110C)

1. How can we define “literary creativity”? [20 pts] 2. According to your textbook, what is a literary text? (Use the resources on this page.) [10 pts] 3. What does it mean to read a literary text critically? [10 pts]

4. In what ways is a literary text “

HUM110C Week 3 Assessment & Grading

is a Online Test – you will be given this test when you login to your account.

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HUM110C Week 3 Suggested Resources/Books

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HUM110C Week 3 Assignment (20 Questions)

– Yolanda Riesenberg

QUESTION 1

What is the difference between fiction and non-fiction?

ANSWER:

Nonfiction is a document or composition that portrays events and reality of daily life, a perspective based on personal experience, observation, or study. Fiction is literature created through the artist’s imagination.

QUESTION 2

What is the difference between tone and mood?

ANSWER:

Tone is a general attitude of voice employed by an author. Mood refers to specific moods, feelings

HUM110C Week 3 Assignment Question (20 Questions)

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This 10 page paper discusses the creative process of literature and its meaning within a short story by James

HUM110C Week 3 Discussion 1 (20 Questions)

– Michael Reed

Conclude your research on the history of the novel and the emergence of the bildungsroman in Europe by focusing your discussion on a character from a specific novel you have read. By doing so, you will be able to highlight how that character is developed as a reflection of an author’s intention.

Select one of